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Acrylic nail extension brush. Which acrylic brushes are better to choose: little secrets of choosing the right one

If you want to learn acrylic modeling, we recommendbuy a brush for acrylic on FRENCHnails official website.

The bundle of pile is quite dense and is assembled from hairs of various lengths, which allows to achieve the effect of a capillary mesh. The required amount of liquid is absorbed into it and at the same time it stands out well when dipped into a jar of powder. As a result, due to the increased fluidity of the monomer, balls of ideal texture are created.
Due to the increased elasticity, after each laying out the substance on the nail plate, the beam returns to its original state.
Thanks to the needle-sharp tip, you can create a neat and even smile line. With it, you can work with small balls of mass.
The pile before the release of the tool for sale is impregnated with special compounds that prevent the sticking of powder particles to the hairs. To do this, before the first use brush you need to gently knock out on the finger of your hand, shaking off the dust from the dried product. After that, it will become soft again.

Features of the form of brushes for acrylic

According to the shape of the base, round, oval and flat models are distinguished.

Round products are distinguished by a thickened belly and a thin tip. This is a classic form, the most popular when working with loose material. A lot of liquid is accumulated on it, because the balls of the substance become more fluid. The sharp end is optimal when drawing a clear, even smile line and laying out small amounts of plastic mass.
The oval instrument also has a dense, massive belly, but the tip looks like a dome. It is convenient for them to apply a thin layer of material near the cuticle and make a jacket.
The flat model is good for a liquid mixture. It will not absorb a lot of liquid and thus will not dilute the substance even more.
miniature brush ideal for small nails and acrylic modeling of elegant elements.

When choosing, pay attention not only to reviews craftsmen, but also in the appearance and materials of the instrument.

Take a closer look at how elastic the beam is and how dense its base is. Density affects the amount of monomer absorbed and the uniformity of its release during simulation.
The firmer the handle, the better. The ideal option would be a wooden one, but you can also purchase a cheaper model with a plastic handle.
in form and appearance goodacrylic brushes(especially round ones) should look like a candle flame. They should not have pits, bulges and pile sticking out in different directions.
At good models there is no seam in the attachment that holds the hair bun. Our advice: choose a product with a solid metal clip. They are much more reliable (the pile will fall out less often) and look prettier. The hairs must be well glued at the attachment point so that you do not lose them during work.
To work with acrylic material, purchase products from 5 to 10 sizes. Models No. 8 are especially popular - with their help you will quickly lay out 2-3 balls.
Focus on the dimensions of the purchased brushes . Too big will badly affect the quality of the procedure - you will get tired and will not be able to quickly work with the tool. Moderate size - the key to a comfortable sitting of the product in the hand.

Do not try to save money on the tool. Expensive options often last much longer than cheap ones, which can quickly thin out or fluff up. A high-quality product can become an assistant for as long as half a year, even if the master is very busy.

Depending on the type of pile, the characteristics of the tool will change.

Products made from soft marten, kolinsky or sable wool are considered the best for extensions. But also the price they have the highest.
Squirrel models are a little worse - they are not so elastic, the hairs sometimes break. But with proper skill, they can also make magnificent nails. The squirrel tools are useful for modeling, rendering miniature elements, and conveying a translucent tone.
Rigid, well-flexible synthetic brushes very convenient for applying large strokes in the relief technique.

Low price in FRENCHnails online store

You can cheap acquire qualityacrylic nail brushes in our online store. Cumulative discounts will further reduce the cost of goods: after the first order, you will receive a ten percent discount! It will grow up to 20% over time if you become our regular customer.

When buying from 5500 rubles, we offer free delivery in Moscow and Russia. The store sells exclusively original goods from manufacturers, refusing to work with intermediaries.

FRENCHnails is your best assistant when modeling luxury manicure!

Which brushes are suitable for which paint? For those who do not have an art education - this is a dark forest! Let's just figure out which brushes are best to use for different types hobbies and creativity!

The artistic brush is the main tool with which the artist realizes his idea on paper, canvas, fabric or other material.
As part of any artistic brush, three main parts can be structurally distinguished: a handle, a clip (or capsule) and a hair bundle, which, in fact, is the main working surface of the tool.

The handle is mainly made from hardwood of hardwood trees (oak, birch, beech, etc.), and synthetic substances (eg plastic) are sometimes used as a material. There are exclusive brushes with handles made of ivory, some types of minerals, etc.

The clip gives a certain shape, ensures the safety of the hair bundle and connects it to the handle. It is usually made of metal, but can be made from other materials. The most convenient in work, practical, reliable and outwardly attractive seamless clips.

The hair bundle of the brush is formed by a clip into a bundle certain size and a given shape natural (squirrel, tiger, pony, goat, badger, kolonok, bristles, etc.) or synthetic hair.

There is also a division of the brushes according to the exhibition of the hair (i.e., the length of the hair in the hair bundle). As a rule, large brush manufacturers produce three main types of hair display for brushes of the same size: long, standard and short. This differentiation allows various work during a painting session. A brush with a short exposure is convenient for making short, precise strokes or highlighting the right place, washing out paint particles from the texture of the paper. The brush of a standard, average exhibition, as a rule, does the main part of the work. This brush is versatile. And finally, the long insert brush is designed for drawing long, thin lines of constant width.

According to the shape of the cartridge, artistic brushes can be divided into two main groups: round (the cartridge at the end gives a circle in cross section) and flat (the cartridge is flattened at the end).

Round brushes- perhaps the most versatile of all brushes. Depending on the inclination and pressure, it can apply paint and draw lines both constant and variable in a certain section of the width, make wide, thick strokes, or, on the contrary, make the thinnest “hair” lines with the very tip of the beam.
A round brush is great for drawing and allows you to create texture as well as fine detailing.

Flat brushes versus round ones, are more elastic, which makes them indispensable when working with large areas of the surface of a canvas or paper, when it is necessary to apply wide, even strokes of constant thickness (depending on the rotation of the brush during movement, the thickness of the stroke can be changed depending on the intention and need).
They are very convenient for depicting such elements of nature as earth, grass, leaves, as well as architectural compositions of urban landscapes and everything that requires relatively accurate outlines. This group differs from round brushes in that the primer is compressed at the end, flattened, allowing the formation of a hair bundle of the required (flat - hence the name) shape. Thick long hair of a flat brush allows you to hold a fairly large amount of paint.

contour brushes- are one of the varieties of flat brushes, characterized by the fact that it has a shorter hair bundle, which gives the brush additional elasticity. This ensures the high quality of applied flat smears. Due to the short hair, contour brushes are very convenient for highlighting the contours of a drawing (hence the name of the tool), for example, in graphic work, as well as creating smooth color transitions.

cat language- this brush is one of the varieties of flat brushes, got its name due to the special shape of the hair bundle with a domed or oval outline at the end. It is universal in that it allows, depending on the position and angle of inclination to the working surface (canvas, paper, etc.), to perform strokes characteristic of both a round (at a perpendicular position to the surface) and a flat brush. It is very convenient for performing a wide variety of color transitions while painting.

Retouching brushes- are one of the varieties of flat brushes and got their name in accordance with the purpose. The shape of a relatively short hair bundle is characterized by the fact that the hair is cut at an angle "obliquely". This allows you to apply very precise (depending on the angle and position of the brush in relation to the working surface) strokes. The cut tip of the brush, with the appropriate pressure of the artist, quickly and easily changes the volume of the hair that carries the paint, depending on the task being solved in a particular case. This feature allows you to confidently and efficiently perform color transitions in inconvenient (hard-to-reach, narrow, small) areas of the picture.

Stencil brushes are a kind of round brushes and got their name depending on the main purpose (applying an even layer of paint through a stencil). The main difference is in the shape of the tip of the hair bundle. Unlike conventional round brushes, which have a pointed end (which allows you to draw fairly thin lines), the stencil brush has a flat and blunt hair tip. Paint with such a brush is applied to the work surface not with horizontal strokes, but with vertical pressure (sometimes with light “blows”). At the same time, these brushes are also suitable for glazing, as well as for making loose paint layers.

Fleitz- (from German Floz - layer) - a very wide flat brush, designed mainly for applying wide layers of paint in one stroke, free painting with fills. The flute is able to hold a lot of paint, thanks to which it is possible to create large textures with a few strokes of the brush. A dry shore brush can be used when working on top of a still wet layer of paint, for example, to blur or soften contours. As a rule, the flute is preferred to be used in watercolor technique, but it can also be used when working with oils, gouache and other paints.

Font brushes- are a kind of round brushes, while having very long hair. Due to this shape and the length of the hair bundle, the main purpose of the brush (hence the name) is the ability to draw thin, even lines without refilling the brush with a paint solution, for example when applying inscriptions. The brush is also very convenient in graphic works, however, for its high-quality use in the process of painting, a certain practice and experience is required.

Line brushes- are a kind of round brushes, similar in shape and properties to type brushes, but unlike the latter, they have shorter hair. With their help, you can also apply thin, precise lines (hence the name), mark contours, and make inscriptions.

fan brushes- are a kind of flat brushes and got their name due to the special shape of the beam, made in the form of a fan. Thanks to this, it is very convenient for them to perform a sophisticated color stretching, soften the contrast of contours and texture. One stroke allows you to apply many thin lines at once, for example, when drawing (detailing) grass, etc. Working with them requires a certain skill.

Basic properties of brushes

1. The ability of the hair bundle to form a sharp tip. This indicator is very important, since the process of creativity often requires the application of very precise strokes, thin lines, rather small details. If your brush will not be able to perform such actions, because. the tip of the beam will be too thick or the hairs will be scattered among themselves, then it will be extremely difficult to fully realize your plan on paper with such a brush. When the brush is separated from the surface of the paper, its bundle must again take its original shape in order to be ready for the next stroke.

2. The elasticity of the hair bundle. For high-quality performance of brush strokes, it is very important that her hair has a certain elasticity. The thinner the paint, the less elastic the brush should be. An aqueous solution of watercolor is best applied with a soft brush, such as a squirrel, when a light touch on the paper is enough. The hair of a hard, elastic brush (bristles, synthetics) with strong pressure can blur the bottom paint layer (when working with glazing) and even damage the paper (when working “wet”). However, for some techniques in watercolor, it is precisely an elastic brush that is required (when “pressing” the paint into the texture, blurring the paint layer, etc.). I note that in this case it is necessary to have certain skills and experience, otherwise the picture may be spoiled.

3. Control over paint flow. When working on a painting, the paint should flow from the hair of the brush in the right consistency, in a controlled manner. The famous St. Petersburg watercolor artist K. Kuzema wrote: “Watercolor technique is simple. You just need to be able to correlate the amount of water and paint on the brush and paper at the same time. It is very important to maintain harmony in the work both between the colors themselves and their shades, and between the “sharpness”, the brightness of the strokes. If the brush does not allow you to apply a stroke of the desired length and shape, when it comes into contact with the paper, the hair immediately gives off all the paint or, on the contrary, keeps the paint solution in itself, then even working with good, familiar paper, you will not be able to realize your plan with such a brush.

All brushes differ among themselves depending on the material of the hair bundle. Here are some of the more common groups.

For oil paints:
- brush bristles, speakers, ear hair, synthetics, badger.
For tempera paints:
- brush bristle, kolinsky, ear hair, synthetic, badger, squirrel
For gouache paints:
- brush bristle, kolinsky, ear hair, synthetic, squirrel
For watercolors:
- brush protein, columns.
For acrylic paints:
- kolinsky brush, synthetic, squirrel.

Kolonok picturesque

The brushes are round, flat and oval, made of kolinsky hair, the clip is seamless, the handle is long, covered with mallow.
Kolinsky brush is the leader among brushes. The hair of kolinsky brushes is thin, elastic and has a conical shape. The bundle of the kolinsky brush consists of hairs of different lengths, which, when the filled brush comes into contact with the surface, create a capillary flow. From the tip of the brush, the paint flows in a continuous stream and with excellent consistency. They are intended for artwork with watercolor, oil, tempera, gouache and acrylic.
The material from which the brushes are made is the wool of a wild animal, a column from the weasel family, it does not breed in captivity, it is found in regions with severe winters, such as China, Siberia, Korea. His hair is long, spindle-shaped, resilient and elastic, tapering at the end to a thin tip. Because of all this, the kolinsky brush has excellent helmet flow characteristics, which is why they are recommended for working with almost all types of paints.

Picturesque squirrel

Round, flat and oval brushes made of squirrel hair, seamless clip, long handle, enamelled.
The squirrel hair brush has a sharp, rapier-like tip (similar to a kolinsky brush), excellent flow control, but low elasticity, and is used for art work with watercolor, gouache, acrylic.
brushes of this type are made from natural materials - squirrel hair. This material is one of the best for making brushes, because it is very soft, elastic and perfectly retains the shape of the beam. By using special technologies processing, an increase in the elasticity of the material is achieved. All of the above properties contribute to excellent ink retention. You can apply the smallest strokes due to the ability of the hairs to adhere to each other under the influence of moisture. This type of brush is most often used for painting faience and porcelain, as well as for applying watercolors.

Synthetics picturesque

Brushes are round, flat oval and fan made of synthetic hair, the clip is seamless, the handle is long, they are covered with enamel.
Synthetic hair brushes are characterized by elasticity, elasticity, which contributes to good filling of the brush and even application of paint. They are used for artwork in oil, tempera, gouache and acrylic.
this species brushes are characterized by ideal shape, elasticity, flexibility and resilience, which makes it ideal for applying liquid paints. Hair itself cannot hold paint as well as natural hair, but it is much stronger. This brush is very well suited for use with synthetic paints such as tempera and acrylic. The brushes made from this material are versatile and can be used to create miniature paintings and works of art. large scale. This may explain the presence of a variety of series of brushes and handle lengths. For example, a long handle allows you to apply paint, being at a distance from the work itself, which allows you to cover a large area with your eyes.
Also, such brushes are used in the now popular decoupage technique!
From myself: brushes are durable (at proper care), when painted or varnished, do not leave any traces!

badger picturesque

Bristle picturesque

The brushes are round, fan-shaped, flat, made of bleached bristles, the clip is seamless, the handle is long, sometimes covered with enamel.
Elastic, hard bristles are processed, and only boiled and bleached bristles are used to make brushes professional quality. Next to elasticity, the most important characteristic is the split tip, which contributes to good filling of the brush and is intended for artworks with oil, acrylic, tempera.

Brush care
Brushes require careful handling. If handled carelessly (for example, with a strong, rough pressure on the bottom of a container of water with a watercolor brush), the hairs of the tuft can break on the edge of the clip, and the brush will be damaged.
Do not leave the brush in the water so that it rests on the bottom of the container with a hair bundle. This can ruin the shape of the bundle, break the capillarity and lead to hair breakage.
After finishing work, the brushes should be thoroughly cleaned of paint and placed in a container (glass, vase, jar, etc.) for storing brushes with the hair bundle up. The accumulation of dry paint on the hair bundle near the clip itself and inside it significantly reduces the life of the brushes, so be sure to thoroughly clean the working brushes after a painting session.
After working with watercolors and gouache, rinse the brushes well enough in barely warm water, making sure that there is no coloring pigment left on the hairs. If you are working with acrylics or oils and you wash your brush with solvent, be aware that poorly rinsed solvent can accumulate inside the barrel and dissolve the fixative adhesive, causing hair to fall out and the brush to fail.
Store your brushes in a dry, moth-proof place to prevent damage to the hairs and keep the tuft in its shape.

I wish you all a pleasant choice and successful shopping!

Repair is a long and very troublesome business, and in addition it is costly. Today, the choice of materials in hardware stores is huge, which means that the scope for imagination has no limits. Despite this, the paint never loses its relevance. Radiator batteries and pipes, wall panels - all this requires annual renewal. Therefore, you will have to be a little painter as well. To get the job done quickly and efficiently, you need good paint brushes. And, of course, you need to decide on the material. It can be varnish or enamel.

Goods for the painter

It can be difficult for the layman to imagine how many of them there really are. Paint brushes differ not only in size. And if until now you have used the only one to perform all types of work, then after reading the material everything will change. So:

Flywheels (KM) - huge and fluffy, made of natural fiber with the addition of synthetics. I have a round shape and are widely used on large surfaces and for whitewashing. The diameter is about 60 cm, and the length of the hairs reaches 180 mm. They tolerate contact with any solvents, perfectly withstand temperature extremes and are not afraid of hot water.
Maklovitsy (KMA) - often used to These are wide, rectangular brushes for paint, which are based on natural horsehair and nylon. This allows the coating layer to be evenly applied. Hair length 100 mm, used for applying adhesive or casein material.
Handbrakes (KR). Small and round, they are great for covering windows or pipes. Consist of pure bristles and horsehair. The middle is empty so that you can accumulate paint.
Paneled - very reminiscent of the paint brushes that we used in childhood, in drawing lessons. Diameter 6-8 mm, they are used to outline contours.
Radiator.
Paint Flat (KF) - wide and flat, made of nylon and badger hair, it is used to eliminate smudges.
Synthetic flat (KP) - artificial. Inexpensive and functional, it is perfect as an assistant in repairs. They ideally apply formulations diluted with water. Universal option to paint any surface, and the dimensions can be selected.

Using different piles

Synthetics, at first glance, is an ideal option. It is cheap, works great on any surface, wear-resistant. In fact, painters know that quite a lot depends on the material chosen. Bristles made of natural materials absorb the composition well and evenly distribute it over the surface. It is slightly rough to the touch. But on some surfaces, it will leave villi, and the brush wears out quickly.

Synthetic paint tools are made of polymers and have a small thickness. They are excellent for applying water-intensive paints, since such hairs do not absorb the material. This is also justified from an economic point of view.

What do you need to know?

High-quality brushes have a number of properties, but the main functional element is the pile. The longer its length, the more composition the tool absorbs. Therefore, the less often you will need to dip it in the jar. The hairs are not always straight, which allows even better absorption and even treatment of the surface.

Not only the length is important, but also the elasticity of the hairs. If they are not flexible enough, then a large amount of material will remain on the pile. Another rule - the larger the surface area, the more voluminous the brush is. For ceilings and walls, wide, rectangular specimens are needed, and for tables and windows, small ones with various handles are needed.

So the same and so different

At first glance, it is very difficult to choose the best brushes for paint. What are, we have listed, but it did not become easier from this. But professional consultant will definitely help. Today, for each type of work there is a special tool. There are kits for working with varnish based on synthetic resins, for painting with liquid wax or working with compositions based on water-based emulsion.

The main recommendations regarding the choice of brush are as follows. You need to be attached to the material with which you will work. Later, among the varieties with the desired pile, you will select those that fit in size. If you plan to do varnishing, then it is better to purchase a tool not with synthetic, but with natural hairs. It will be ideal for formulations that include a solvent. The secret is that these hairs have a porous structure and can absorb much more composition.

If you have to work with water-based compositions, then natural pile, on the contrary, is not recommended here. It will lose its shape after the first application. Synthetics absorb less paint, but manufacturers are doing everything to bring its functionality closer to natural.

How to clean a brush from paint?

After you have finished the work, you need to take care of the tools used. Someone thinks that they just need to be thrown away. But this is too wasteful. Much better to wash and save them. To do this, carefully wipe the brush on a paper or cloth towel. The more composition you can remove, the better the laundering process will be.

The second step is the use of a solvent. Do not forget that the choice should be made in accordance with the characteristics of the composition used.

Brushes for watercolor and latex, that is, all that are produced on a water basis, are perfectly washed with ordinary water. The only rule is that they must not be allowed to dry out.
White spirit allows you to cope with oil formulations.
suitable for shellac.

The third step is to rinse again in water and pat dry with a towel.

For interior decoration and as a hobby

They are not always used only to cover the panel with an even layer. If you want to decorate your room with a bright image, then you need to choose the right paint brushes. The nylon tool is best solution for artists who prefer acrylic. It is synthetic and comes in a huge variety of shapes and sizes. The main advantages are:

Elasticity - the material from which the bristles are made does not break and is very flexible. This allows you to apply smooth and clear strokes. It is very convenient and perfect even for a beginner.
Durability - if you take a natural bristle brush, you will quickly understand what the problem is. Painting and coating surfaces with acrylic involves the need to immerse the instrument in water. Therefore, the pile deteriorates and falls out. But the artificial one continues to serve.
Easy to care for - nylon tools are very easy to clean from acrylic, which dries and crumbles. But a brush with natural bristles has a porous structure and is much more difficult to clean.

Rich choice

But what brushes for acrylic paints to choose for a specific job, you will have to decide directly on the spot. Flat, synthetic tools allow you to apply wide strokes due to the thick and long pile. Round - used for painting and painting. Oval synthetic are more often used in painting. They are close to flat in functionality, but change line thickness more easily. Contour brushes are flat, with short bristles. They are needed for applying small details and drawing.

Oil paint brushes

The main requirement for them is increased rigidity, which is due to the specifics of working with oil. A tool with a pile from the column is considered the best choice. The cost of kolinsky brushes is the highest of all, but the costs are offset by high performance properties. It is made from natural materials and pile. As a result, the brushes listen well, with their help you can not only apply an even layer, but also make a pattern or drawing. Unfortunately, the product from the column is very delicate. Even portrait painters note that it can not be used on all canvases. Flax, for example, will very quickly erase its delicate villi. Therefore, when carrying out repairs, most often for oil paint, combined brushes made of natural and synthetic bristles are taken.

Instead of a conclusion

As you can see, the choice is not as simple as it might seem. You will have to take into account the nature of the work to be done, its scale, as well as the coverage that needs to be updated. The material chosen as a coating will also play an important role. Therefore, first think over all the details, and then go to the store. Then success in a difficult task will definitely be ensured for you.

Acrylic paint basics

Brief Technical information: Acrylic is a paint consisting of three main components. Pigment, synthetic binder (acrylic polymer emulsion) and water. The latter is especially important for us. Acrylic paint dries as soon as water evaporates from it. That is why at first it is difficult to adapt to them - they dry very quickly both in work and on the palette. It is worth remembering that acrylic paint becomes darker when it dries.

Tools and materials
Acrylic paints can be found in jars and tubes.
One of the advantages of acrylic is that a huge number of additional artistic media can be used in combination with it. Here it is worth stopping and talking about one more thing. important point- fresh acrylic is easily removed with water. For dried paint, solvents are needed (! after working with acrylic, rinse the brushes thoroughly with water! Acrylic that has dried in the brush can ruin the brush forever!).

Keep your paint working.
Since acrylic paint dries very quickly, squeeze it out of the tube a little at a time. If you're using a regular plastic palette, buy a spray bottle to spray water onto the paint, dampening it.

Brushes.
If possible, buy special brushes for acrylic paints. They come in different shapes, sizes and textures. Usually, these are synthetic or nylon brushes. When working with acrylic paints - from frequent immersion in water, the brush may deteriorate. Natural brushes do not need to press on the canvas. You need to draw with the tip, as if on weight. At first it will be unusual, but when you get used to natural brushes, you will become their true connoisseur.

Wipe off the brush.
Keep a paper towel or washcloth nearby and dry the brush every time you wash. Then drops of water will not go down the rim and fall on the drawing, leaving blots.

Important properties. Generalization and something new.

And so, we have already said that acrylic paint dries very quickly. And this is its big advantage.
In addition, uncured acrylic is easily removed with water, while dried acrylic is resistant to water. This can be very useful because it allows you to apply a second coat of paint without the risk of destroying the first.
Acrylic paints allow you to work in layers - unlike oils and watercolors, the top layer is usually not transparent, and the bottom layer is not visible - this can be convenient when you need to correct some minor flaws. Or when you need to put a bright picture on some kind of background.
Acrylic paints are unpretentious to neighbors. They can be combined with oil and watercolor. And use it on almost any surface.
Acrylic does not smell. And in the process of work it does not emit any fumes that interfere with breathing, as in working with oil. And this is also an important plus))
Acrylic can be applied as a very liquid (like watercolor), and a thick layer - like oil. Moreover, it will still adhere well to the surface and not spread - the reason for this is its high elasticity.
Acrylic will not crack or fade.

Beginning of work

Pick a good spot. As with most things, painting is best done in natural light. Settle yourself near an open window or in a room with a lot of natural light. You'll be able to see little nuances in your brush strokes and colors that you wouldn't be able to see in any other light.

Lay out all your materials. Every artist has a different approach to organizing their materials, but it's best to arrange them however you like before you start. Fill the jars with water, take out the brushes and paints you want to use, and place your palette in the most ideal spot. You may also want to wear a bathrobe or an old shirt.

Find a light source. The color changes depending on how the light falls on it, so before you start drawing, determine the position of the main light source. Pay attention to this throughout the drawing process. You should use lighter colors near the light source and darker ones away from it. It may seem elementary, but determining the light source before starting work will help your colors to position themselves properly.

Shutdown

Cover the painting with a layer of varnish. Although not required, many artists prefer to cover the painting with a layer of varnish to set the acrylic paints. This helps the paint chemically bond to the canvas and better protects the paint from damage.

Clean your brushes and work area. Be sure to wash your brushes immediately after you finish using them. Acrylic paint can seriously damage and ruin brushes if left to dry on the bristles. Wash the bristles of the brushes with soap and cold water until the water runs clear (warm/hot water will fix the paint on the brushes). Wipe the paint off the desktop and wash the water cans.

Save unused paint. Acrylic paint will keep for several months in a tightly sealed container, so if you have any leftovers save for later.

Leave the painting to dry. Place the painting somewhere where it can dry out in 1-2 days. Acrylic paints are very a short time drying, but they must be placed where they will not be disturbed so that they can dry properly.

Purpose of brushes:

FLAT BRUSH WITH STANDARD EXHIBITION

Combines hairs of different lengths for the best maneuverability: make bold strokes with the wide part of the brush and thin with the edge of the brush.