home » Terms » Petite models: the best short models, show conditions, clothing styles and a successful career. The most famous low models Parameters of the ideal model

Petite models: the best short models, show conditions, clothing styles and a successful career. The most famous low models Parameters of the ideal model

It is believed that models must be tall. However, some of the most successful supermodels in the world over the past ten years do not differ in such parameters. For example, Kate Moss actually has a height of only 172 cm. Some models began to shoot for world-famous magazines, having an even shorter height. However, with the help of the correct work of photographers, this fact is not so noticeable.

Many short well-known models managed to prove that high growth is not always a guarantee of success in the fashion world. They managed not only to shoot with the most successful photographers and get great shots, but also to participate in catwalk shows during more than one Fashion Week.

Devon Aoki - 165 cm

At the age of 16, Devon Aoki became the face of Versace and replaced the unsurpassed Naomi Campbell, despite the fact that her height was extremely unusual and atypical for models. After being signed to her first modeling agency at the age of 14, Devon Aoki found recognition, success and relevance as a student of Kate Moss. She was the face of the cosmetics brand Lancome for four years. Also, the list of her works includes collaborations with Chanel, Moschino, Hugo Boss, YSL and Fendi.

Eva Pigford - 165 cm

America's Next Top Model Season 3 winner Eva Pigford changed her name to Eva Marcil right after she started working on building her acting career. She is one of the shortest known models. Her height is only 165 cm. However, she was able to become a model for DKNY. The girl also appeared in many fashion magazines, from Elle to Essence.

Twiggy - 167 cm

The most famous supermodel of the 60s was also very short. Twiggy's big recognition came after she was declared the "Face of '66" in the Daily Express, after which she appeared in 13 fashion shows in just a year. At the same time, many issues of Vogue magazine could not do without this model. She has worked with some of the most popular and sought after fashion photographers in the world. And then Twiggy successfully moved on to singing and acting.

Jenny Shimizu - 167 cm

Known for her runway shows for Calvin Klein, Jenny Shimizu is one of the shortest known models. Her career also includes fashion shows for Jean Paul Galtier, Thierry Mugler, Banana Republic and Donna Karan. She took part in filming associated with the creation of fashion television shows, such as "America's Next Top Model" and Make Me a Supermodel.

Letizia Casta - 167 cm

One of the most famous French supermodels Laetitia Casta gained popularity at the age of 15. At the same time, she became immediately known not only as a model, but also as an actress. The list of her works includes participation in fashion shows for Louis Vuitton, Vivienne Westwood, Ralph Lauren, Roberto Cavalli and many other fashion houses. She has appeared on the covers of Vogue, Elle, Cosmopolitan and has been a spokesperson for cosmetics brand L'Oreal Paris since 1998.

Audrey Marney - 167 cm

Another French model who later became an actress was Audrey Mernay. She is one of the shortest famous models. The model became famous thanks to her work with Calvin Klein and Versace. She has also been featured on the covers of Elle and Vogue magazines. Audrey Murnay has also worked with some of the most famous fashion photographers in the world. This Jean-Baptiste Mondino and Steven Meisel.

Josie Maran - 167 cm

Another model that has an atypical growth for this profession, but managed to achieve unprecedented fame and success, was Josie Maran. She appeared on the cover of Glamor magazine at the age of 20. This was followed by offers from two more companies. She is also known for her appearances in Sports Illustrated Swimsuit issues for three consecutive years. But the maximum fame came to Josie after signing a multi-year contract with Maybelline.

Liberty Ross - 167 cm

The British beauty is one of the most famous short models. She is only 167 cm tall, but she has managed to work successfully and fruitfully with some of the biggest brands in the fashion business. She was appreciated by many fashion houses, from Burberry and Dior to Emanuel Ungaro and Jimmy Choo. She was also honored at the Model of the Year in 2000 and at the Elle Style Awards. After that, a three-year break followed in her modeling career to devote her attention and time to her own family. However, after returning, Ross failed to match her previous success and again return to the position of the most popular models.

Lydia Hurst - 169 cm

Socialite and wealthy heiress Lydia Hearst has also found success in the fashion world, despite her unusual height for the trend. She has worked for major brands such as Prada, Louis Vuitton, DKNY and Roberto Cavalli, and has also been featured on the cover of Vogue in international editions of the fashion magazine.

Selita Ebanks - 169 cm

As a Victoria's Secret model from 2005 to 2009, Celita has become one of the most sought after models. Today it is she who is one of the most famous short models, while she managed to become the 12th highest paid supermodel in the world in 2008. Her work is associated with photo shoots for DKNY and Abercrombie & Fitch. The supermodel also appeared in the Sports Illustrated Swimsuit Issue in 2007, making her even more popular.

To become a model, it is not necessary to be tall, thin and graceful. Men and women 165 centimeters tall and below can get a contract with a modeling agency if they know what their strengths and weaknesses are. In the fashion world, tall and thin models play a key role, but there are other opportunities for self-realization. If you start applying your strengths where they are needed, you can succeed.

Steps

How to get noticed

Meet the photographer. Before you start looking for a job, you should find a good photographer. It is best to choose a photographer who can both shoot you and do your makeup. For a close-up shot, you will need to use some makeup.

Look for such photographers on the Internet.
You may also be able to find a photographer through the agency you plan to work with.

Pay for the photographer. Yes, you will have to pay for close-up shots. This will require some costs, but the operation of the model often requires some effort. You need to get the best quality pictures possible. Try to find a photographer with the ability to do makeup.
- The photographer will take several pictures (sometimes this number reaches hundreds), and then prompt you to select photos for processing.
- Pictures can be taken outdoors and in the studio. Both will help you find a job if they are taken by a professional photographer.
Learn about different modeling agencies. Talk to friends who work in this field and ask people in modeling agencies to advise you. If they don't have useful contacts, look up local agencies online. It is better to work with an agency that is located in your city than to spend more than an hour on the road one way.

Contact a modeling agency. Go there yourself if it suits you. It is better to meet with representatives of the agency in person. Make an appointment and bring close-up photos with you. Be confident in yourself, but remember that you should carefully listen to the recommendations of the agency employee. Send emails to other agencies if you think they might be able to work with you.
- Look for agencies that specialize in body parts or other types of photography that involve a greater variety of figures.
- Conduct yourself professionally. If you decide to write an email, don't forget to attach pictures.
- Tell us about your experience in the modeling business or your acting experience.
- It will not be superfluous to write to several agencies.
Create a model profile online. There are special sites that are databases for models and companies that are looking for models. Usually registration on such sites is free. You will need to describe yourself and tell what kind of work you are looking for. Be honest about your height and measurements.
- You may think that by specifying your parameters, you are depriving yourself of certain opportunities, but know that agencies will appreciate your honesty. There is work for everyone.
- An example of such a site is http://www.modelmanagement.com/.
Move to a big city. This is not very convenient, but everything interesting in the modeling business takes place in large cities. This is where you can take your chance, if you have one. To become a model, it is not necessary to move to the capital, but it can be useful. If you live in a small city or town, consider moving to at least the nearest major city.
- For example, if you live in Vladimir, move to Nizhny Novgorod.
In the beginning, accept any job. At the very beginning, it is important to gain experience for your portfolio. Accept any job, as long as it does not contradict your moral principles. Work experience will let potential employers know that you know what it means to be a model.
- Perhaps you should start with pictures of individual parts of the body. With such shooting, individual parts of the body (for example, hands) are photographed.
- You can also shoot for a catalog. For catalogs, people of different sizes are often photographed to show how clothes can fit on ordinary people.
How to create a portfolio
1. Decide which job interests you. In the modeling business, there are several types of work for people of short stature. As a rule, high fashion remains only available for tall and thin, but there are other options. Consider the following shooting options:
  
  Pick your photos. A beginner model should have 5-8 shots. In these pictures you should show everything that you can do. If you already have several shots taken by the same photographer, try working with other photographers as well. The beauty of photography is that it can be hard to tell height in pictures unless you're standing next to something that gives you a sense of scale.
2. Make yourself visible. On the Internet you will find examples of model portfolios. They will help you figure out how you should present yourself, but they will also help you figure out how you can make your portfolio stand out. Try adding a high-quality photo of you doing your favorite hobby. For example, if you love to cook, include a photo of yourself in the kitchen in your portfolio.
  - Photos must be different, including personal photos.
  - Include a photo that shows off your skills and makes it clear that being short doesn't bother you. For example, you know how to make faces. This will allow agencies to understand that you can work, and growth will not play an important role.
  - Sometimes agencies pay attention to special personal photos.
3. Prepare a package of documents. Print your photos in high resolution. All agencies have their own preferences for size: some need large ones, others need small ones. Don't forget to include the following information:
  - Name, address, contact details
  - Brief description of experience and goals in the modeling business
  - Description of skills, including knowledge of foreign languages, acting and vocal experience, and so on.

Kate Moss, Cara Delevingne, Laetitia Casta - all these beauties have become famous all over the world thanks to their successful career in the modeling business. Do you think they are all tall, long-legged and slender? But no! Well, of course, they are slender, but as for supermodels, they are a bit small. With a height of 1.70, it will be “oh” how difficult it will be for you to persuade casting managers to take this or that show, shooting or other project. Contrary to existing rules, these top models managed not only to convince the agencies of their peculiarity, but also to build a dizzying career in the modeling business.

Height: 1.70. What is famous for: first of all, because she is Kate Moss. =) But before she earned a “name”, Kate created the so-called. trend for thinness "heroin chic", and also shone on the show of brands such as Calvin Klein, Louis Vuitton and Chanel.

Height: 1.73. Known for: One of the most followed Instagram accounts among the show business elite, as well as catwalk shows for Saint Laurent, Burberry, Fendi, Chanel and other famous brands. Her growth at one time caused a lot of controversy among representatives of agencies and brand management. Kara herself assures that she still does not know her exact parameters and complains that even now she is being told that she is too short for a big podium.

Height: 1.71. What she's famous for: This American model, the face of Maybelline, is famous for her hot pink hair, which has become a real trend among fashionistas on Tumblr. Yes, she's only 1.71 cm tall, but that didn't stop her from becoming the star of the Chanel show (she even opened the 2015 cruise collection) as well as the face of Chanel eyewear.

Height: 1.70. What is famous for: Georgia is the daughter of rock musician Mick Jagger and top model Jerry Hall. She followed in her mother's footsteps, despite her rather modest stature. Repeatedly defiled at the Fendi, Louis Vuitton and Chanel shows.

Height: 1.65. What is famous for: the shortest model in the world. But this did not stop her from shining at the shows of Chanel and Versace.

Height: 1.69. What is famous for: She repeatedly shone at the shows of Victoria's Secret, Louis Vuitton, Roberto Cavalli and other brands, despite her small stature, Letizia is the favorite of many couturiers, including Domenico Dolce and Stefano Gabbana.

16K40RF3, 16R50F3, etc.

Also, the plant has mastered the production of modern turning machining centers with a number of coordinates from 4 to 8, lathes with CNC inclined 1P756DF3 and horizontal layouts, pipe-working machines 1A983, 1N983 - for processing the ends of pipes with a diameter of up to 460 mm, wheel-turning, rolling lathes, machines for processing deep holes and etc.

History of the screw-cutting lathe 165

IN 1953 The first machine of the 165th series was put into production - a model (processing diameter - Ø 1000 mm).

Serial production of lathes: 1m65, 1n65.

165 Universal screw-cutting lathe. Purpose and scope

The Model 165 screw-cutting lathe is designed for machining medium and large-sized parts, in single-unit and small-scale production. The machine can perform external and internal turning, including taper turning, boring, drilling and threading - metric, modular, inch and pitch).

The technical characteristics and rigidity of the design of the bed, carriage, spindle of the machine make it possible to fully use the possibilities of working at high cutting speeds with the use of cutters made of high-speed steel or equipped with hard alloy inserts when machining parts made of ferrous and non-ferrous metals.

The principle of operation and design features of the machine

The caliper of the machine has a mechanical movement of the upper part, which allows turning long cones. Turning short tapers is also carried out by moving the upper part of the caliper.

Changing the feed rate and adjusting the pitch of the thread being cut is carried out by switching the gear wheels of the feed box and setting the guitar of interchangeable gears.

The caliper has a fast movement in the longitudinal and transverse directions, which is carried out from an individual electric motor.

The machine is designed for processing ferrous and non-ferrous metals with high cutting speeds with cutters made of high-speed steel and hard alloys.

Closed type feed box provides standard thread cutting. Precise threads are cut using interchangeable gears, bypassing the feed box.

The change in the number of revolutions of the spindle and the feed rate of the caliper are carried out by switching the gears of the gearbox and the feed box with the help of handles.

The movement of the tailstock and the extension of the quill are performed manually by turning the handwheels.

Machine accuracy class H. Surface roughness V 6.

The technical characteristics and rigidity of the machines make it possible to fully use the capabilities of high-speed and carbide tools in the processing of both ferrous and non-ferrous metals.

Type of climatic modification - UHL4 in accordance with GOST 15150-69.

Accuracy class - H according to GOST 8-82E.

Modifications of the screw-cutting lathe 165

165

1N65, 1N65F1, 1N65G, 1N65GF1– Ø 1000 universal screw-cutting

16K50, 16K50P– Ø 1000 universal screw-cutting

1658, 1658 – Ø 1000 universal screw-cutting

RT28608, RT539, RT53901, RT732, RT366, RT731– Ø 1000 universal screw-cutting

Model 165 Lathe Workspace Dimension

Landing and connecting bases of the lathe 165. Spindle

Screw-cutting lathe spindle 165

Photo of a screw-cutting lathe 165

The location of the components of the screw-cutting lathe 165

Location of the main components of the lathe 165

Specification of the components of the screw-cutting lathe 165

Bed 1A64.01 - For RMTs-2800; (165.21 For RMC-5000)
Grandma front - 165.02
Headstock back - 165.03
Caliper - 165.041
Carriage - 165.05
Apron - 1A64.06
Feed box - 1A64.07
Replaceable gears - 165.08
Cartridge - 165.09
Steady rest 165.10
Cooling - 1А64.14
Fencing - 1A64.16
Cartridge guard - 165.19
Steady rest - 165.20
Electrical equipment - 165.80
Electrical piping: - 1A64.81 for RMTs-2800 (165.81 for RMTs-5000)

Location of lathe controls 165

List of controls for a screw-cutting lathe 165

Spindle speed knobs
Spindle speed knobs
Spindle speed knobs
Handle for setting normal and increased thread pitch
Setting lever for right and left threads
Handle for selecting the type of work (thread or feed) and the type of thread
Handles for setting the amount of feed and thread pitch
Handle for setting the amount of feed, thread pitch and turning on the lead screw directly
Handles for setting the amount of feed and thread pitch
Handle for setting the type of work (thread or feed)
Stop button (duplicate)
Spindle back button (duplicate)
Handwheel for manual movement of the carriage
Spindle forward button
Stop button
Leadscrew Nut Lever
Spindle back button
Handle for controlling the mechanical strokes of the carriage and caliper
Button for turning on the fast moves of the carriage and caliper
Roller for manual movement of the rear bike
Tailstock stop handle
Tailstock spindle stop pusher with quill
Quick travel handwheel for tailstock quill
Handle for turning on the slow or fast movement of the tailstock quill
Inching handle for tailstock quill
Screw of the transverse movement of the tailstock
Tailstock quill locking handle
Handle for manual movement of the incisor sled
Toggle switch for local lighting
Handle for turning and fixing the cutting head
Handle for manual cross feed of the caliper
Introductory switch
Button Spindle "Interrupted rotation"
Spindle Forward button (duplicate)
Button Cooling "Start"
Cooling stop button
Button "Auto Disabled"

Kinematic diagram of the screw-cutting lathe model 165

Structural diagram of the lathe 165 (with kinematic diagram 2)

Kinematic diagram of a screw-cutting lathe 165

The drive of the main movement is carried out from the electric motor through a V-belt transmission.

The gearbox informs the spindle of 24 different speeds of both forward and reverse rotation through kinematic chains according to table. 4.

The spindle is reversed by an electric motor.

On the shaft IX of the gearbox, rotation is transmitted from the spindle through gears 21-22, 26-27 or from shaft V (when the step increase link is turned on eight times) through gears 16-24, 23-22, 26-27. Ball IX thus receives respectively one or eight revolutions per revolution of the spindle.

The block of gear wheels 25 and 28 is designed to change the direction of movement of the carriage when threading.

In the feed box, the movement is transmitted from the shaft IX through replaceable gear wheels 30-32-31.

The feed box informs the caliper through the overrunning clutch, the running shaft XXIII and the apron mechanism 32 longitudinal and transverse feeds.

The calculation of the kinematic chain of longitudinal and transverse feeds is carried out according to the formula

i \u003d i cm * i k.p * i f

i cm - gear ratio of replaceable gears;

i kp - gear ratio of the feed box;

i f - gear ratio of the apron.

The kinematic chains through which the feeds are carried out are given in Table. 5 for the feed box and in table. 6 for an apron.

Threading is carried out through the kinematic chains of the feed box given in Table. 7. In addition, threading can be done with a direct connection of the lead screw with interchangeable gears, selecting the appropriate i cm (see table. 24). The range of feeds and threads is extended by using the 8x pitch link.

The list of elements of the kinematic scheme (see Fig. 4) is given in Table. 8, and corrected gears - in table 9.

Brief description of the model 165 screw-cutting lathe

bed

The bed is the basic assembly unit on which all other assembly units and mechanisms of the machine are mounted.

On the upper part of the bed there are three prismatic guides, of which the front and rear are the base of the carriage, and the middle one is the base of the tailstock.

Inside the bed there are inclined hatches for the removal of chips and coolant in the direction opposite to the workplace.

Under the left head of the frame there are niches, in one of which the main drive electric motor is mounted, and in the other - the cooling electric pump with a reservoir for the coolant. The trough for collecting the coolant is made monolithic with the body of the bed.

On the right side of the bed on the front wall there is a bracket with built-in supports for the lead screw and the lead shaft and a gearbox for fast movement of the caliper with a flanged electric motor.

To prevent sagging of the lead screw and the drive shaft, the machine with the RMC 5000 has two hangers.

Grandma front screw-cutting lathe model 165

Grandma front screw-cutting lathe 165

The headstock is mounted on the left head of the frame, fixed with pins and bolted.

In the body of the headstock are mounted:

gearbox
spindle assembly
eight times pitch link
mechanism for changing the direction of movement of the carriage when threading
spindle speed setting mechanism
Lubrication system
electric cabinet

The spindle is mounted on three rolling bearings, of which the front and rear are adjustable.

A description of the adjustment of spindle bearings is given in the Adjustment section.

Setting the spindle speed, as well as setting for cutting right or left threads of normal or increased pitch is done by moving the gears along the splined shafts using the handles located on the front wall of the headstock (see Fig. 37 and table 22).

Shaft splines and gear teeth are hardened and ground.

The inclusion of the step increase link is possible only when working with enumeration.

Headstock rear

The tailstock moves along the guides of the frame from the manual movement gearbox by rotating the roller 26 (see Fig. 3).

The headstock is attached to the frame with two clamps with three bolts.

For rigid fixation in the axial direction, the headstock has a stop, which can be inserted into the cast depressions of the frame with the handle 27.

The body of the headstock is displaced along the bridge in the transverse direction (see subsection "Regulation").

A rotating spindle is built into the headstock quill, the bearings of the front support of which are adjusted using nuts.

The quick movement of the quill is made by the flywheel 29. locking - by the handle 33.

The slow movement of the quill is carried out by handles 31 through a worm gear, activated by handle 30.

For drilling, countersinking and reaming by turning the pusher 28, it is necessary to turn on the gear coupling that rigidly connects the spindle to the quill.

The tailstock spindle has a slot for the legs of the tail cutting tool.

When changing the center or tool, the quill must be pushed into the headstock body until it stops. In this case, the pusher pushes the center or tool out of the spindle.

Caliper and carriage

The support of the cross structure has a longitudinal movement along with the carriage along the frame guides and a transverse movement along the carriage guides. Both movements are carried out mechanically (with cutting feed and using a rapid movement mechanism) and manually.

The cutting sled, carrying a four-position tool holder, is moved manually along the guides of the rotary part, which can be rotated around the vertical axis to any angle.

The nut of the screw pair of the transverse movement of the caliper is composite and is divided by an adjusting wedge. Adjustment of gaps in the guides of the carriage, the rotary part, produced by wedges, in the "screw pair of the transverse" movement of the caliper is given in subsection 2.4. "Regulation".

Machine apron

Apron - closed type with a removable front wall (cover).

The movement of the caliper group is transmitted by the apron mechanism from the drive shaft or lead screw.

Due to the presence of four electromagnetic clutches in the apron, the control of the mechanical movement of the caliper group is concentrated in one handle 23 for controlling the mechanical movements of the carriage and caliper (see Fig. 3), and the direction of switching on the handle coincides with the direction of feed.

By additionally pressing the button 24 (see Fig. 3), built into the handle 23, you can turn on the fast travel of the caliper in the direction of tilting the control handle (23).

Thanks to the overrunning clutch built into the feed box, the inclusion of a high speed is possible with the feed turned on.

The lead screw nut is split, it is turned on by the handle 21 through the cam device.

There is an electromechanical interlock to prevent the lead screw nut and feed from being turned on at the same time.

A safety clutch mechanism is mounted in the apron, which prevents the machine from breaking during overloads. Its adjustment is given in subsection 2.4. "Regulation".

Gearbox

Feed box - closed type with a removable front wall (lid).

The feed box mechanism allows you to get all the feeds and threads cut on the machine without resorting to changing the setting of interchangeable gears.

Adjust the feed box for feed or threading in accordance with Table. 23 and 24 in the following order (see fig. 3 and fig. 38):

turn the handle 10 to the "off" position
turn the handle 14 to the “lead screw” position for threading or to the “lead roller” position - to work with feed
switch the handle 7 to one of three positions - “inch thread”, “modular thread”, “metric thread or feed”
set the handles 9, 12, 13 according to the table of feeds and threads to the required thread or feed, and to set the handle 9 to the desired position, bring the corresponding number on its disk under the pointer;
turn the handle 10 to the “on” position

When setting for threading with a step of increased accuracy, connect the lead screw with gear couplings directly to the input shaft of the feed box in accordance with table. 25 (see fig. 39).

Interchangeable gears

A set of interchangeable gears with i cm = 2/3, which allows you to get on the machine all the threads and feeds specified in the "Passport" section, is installed on the wall of the headstock.

The design of the mechanism of interchangeable gears provides for the possibility of installing other sets of gears.

ammo

The machine includes a four-jaw non-self-centering chuck with a diameter of 1000 mm.

lunettes

For processing non-rigid parts, the machine is equipped with two steady rests - movable and stationary.

The electrical circuit of the screw-cutting lathe model 165

Wiring diagram of a universal screw-cutting lathe 165

Electrical equipment of the machine 165. General information

The following motors are installed on the machine:

main drive motor
electric motor for quick movements of the carriage
cooling pump motor

The electrical equipment of the machine is powered by AC 380 V, 50 Hz.

The 24 V DC control circuits are powered by a D1 selenium rectifier (single-phase bridge, see Fig. 14).

110 V AC control circuits are powered by a step-down transformer.

The local lighting lamp is powered by a voltage of 24 V from a separate transformer.

All equipment for controlling the electric drives of the machine is mounted in the niche of the headstock and is indicated in Table. eleven.

The control of the electric drives of the machine is remote, push-button and is carried out (see Fig. 17):

from the control panel on the front headstock - PB
from the control panel on the carriage - PC
from the control panel on the apron - PF

The connection of the electrical equipment of the machine to the workshop electrical network is carried out using the introductory machine (automatic 1 switch) BA1, installed on the side wall of the niche of the headstock. Input is carried out by a wire with a section of 10 mm2.

Protection of electric motors and control circuits against short circuit currents and overloads is carried out by automatic switches and thermal relays.

The values of rated currents and values of inserts of magnetic starters and relays are given in Table. 12, 13.

Zero protection of the electrical equipment of the machine is carried out by opening the circuit. (closing) auxiliary contacts in the self-supply circuit of magnetic starters and relays in the event of a power failure in the shop electrical network.

Specifications of lathe 165

Parameter name	DIP-500 (1d65)	165	1m65	1n65
Main settings
Accuracy class according to GOST 8-82	H	H	N, P	N, P
The largest diameter of the workpiece over the bed, mm	1000	1000	1000	1000
The largest diameter of the processed workpiece over the support, mm	620	600	600	650
The greatest length of the workpiece (RMC), mm	5000	2800, 5000	3000, 5000, 8000	1000, 3000, 5000
Height of the installed cutter, mm		45 x 45		50
The largest mass of the workpiece in the centers, kg		5000	5000	5000
Spindle
Spindle through hole diameter, mm	100	85	85	128
The largest diameter of the clamped bar, mm		80	80	120
Maximum torque on the spindle, kN/m				9,5
Number of frequency steps for forward rotation of the spindle	12	24	24	24
Frequency of direct rotation of a spindle, rpm	4,25..192	5...500	5...500	5...500
The size of the inner cone in the spindle	KM 6	100, 1:20	100, 1:20	100, 1:20
Spindle end according to GOST 12595-72		1-15M	1-15M	2-15M
Standard chuck diameter, mm				1000
Spindle braking	There is	There is	There is	There is
Submissions
The largest longitudinal movement of the caliper RMTs=3000, mm		2520	2710	700, 2700, 4500
The greatest transverse movement of the caliper, mm		600	600	600
The price of division of a limb at longitudinal movement, mm	No	0,1	0,1	0,1
The price of division of a limb at transverse movement, mm	0,05	0,05	0,05	0,05
The largest longitudinal movement per revolution of the limb, mm	10	50	50	50
The greatest transverse movement per revolution of the limb, mm	12	6	6	6
Number of steps of longitudinal feeds		32	32	40
	0,225..3,15	0,20..3,05	0,20..3,05	0,05..3,05
Limits of transverse feeds, mm / rev	0,114..1,6	0,07..1,04	0,07..1,04	0,017..1,04
Maximum longitudinal cutting force Pz, kN		12	12	41
The greatest transverse cutting force Px, kN		780	780
Speed of fast movements of a support, longitudinal, m/min	No	2,16	3	3
The speed of fast movements of the caliper, transverse, m/min	No	0,735	1	1
Number of metric threads to be cut	22			44
Limits of pitches of cut metric threads, mm	1..14	1...120	1...120	1...120
Number of inch threads to be cut	36			31
Limits of pitches of cut inch threads	2..28	28...¼	28...¼	28...¼
Number of modular threads to be cut	13			37
Limits of pitches of cut modular threads	0,25..3,5	0,5...30	1...120	0,5...30
Number of pitch threads to be cut	No	No	No	No
Switching stops, longitudinal	No	No
Switching stops, transverse	No	No
Cartridge (upper slide)
The greatest movement of the incisive sled, mm		240	240	240
The price of dividing the limb of moving the incisive sled, mm	0,05	0,05	0,05	0,05
Number of feed steps				40
Limits of longitudinal feeds, mm/rev				0,017..1,04
Fast travel speed, mm/min				1
The largest angle of rotation, hail				±90°
The price of one division of the angle of rotation, deg				1°
tailstock
Center in the spindle according to GOST 13214-79	Morse 6	Morse 5	Morse 5
The greatest movement of the quill, mm		300	300	300
The greatest movement of the quill with the installed tool, mm			280
Quill diameter, mm	120
The greatest movement of the quill in the transverse direction, mm	±30			±15
electrical equipment
Number of electric motors on the machine	1	3	4	3
Main drive electric motor, kW	17	22	22	22
High speed caliper electric motor, kW	No	1,5	1,5	1,5
Lubrication pump drive	Built in		C12-54
Cooling pump (pump)		PA-22	PA-22	0,12
Total power of all electric motors, kW				23,62
Dimensions and weight of the machine
Machine dimensions (length width height) RMTs=2800,3000, mm	8000 x 1700 x 1620	5825 x 2100 x 1760	6140 x 2200 x 1760	6140 x 2200 x 1770
Machine weight RMTs=3000, kg	11500	12500	12800	12800

Today we would like to introduce you to a girl who, despite her initially weak data for the modeling business (height 165 cm), did not give up and proved to herself and others that she could do her job no worse, and even better than others. She proved it in photo shoots, shooting in advertising in the world of modeling. Please love and favor - Irina Pushkareva, a model of a glorious Moscow agency with a long history of Z'S Models.

Ira, hello! Tell me something about yourself.

- Hi all. I'm 16 years old and I'm quite an ordinary girl?. At the moment I am studying at the Pedagogical College at the choreographic department. After the ninth grade, I decided to leave school - I realized that I wanted to do what I liked. Moreover, I dreamed of devoting more time to the modeling business. By the way, I can say that I started my modeling career at the age of 13. For a long time I persuaded my parents to allow me to try myself in this area, asked me to send me to a modeling school - they gave up and, after going through many options, we settled on the Slava Zaitsev Model House. Let me tell you right now, it was not easy. Two months of training, during which I had to learn everything that a professional "walking" business should know, was at the same time one of the best experiences in my life, and one of the most difficult - constant high heels, these experiences regarding my own height are mine at that time 163 cm did not fit very well with 175 cm of my colleagues?, the fear that I would not be able to show myself worthy at the graduation show - all this kept me in suspense. However, as it turned out, everything can be overcome. And here I am - one of the current models of such a worthy modeling agency. And here I would like to express my gratitude to my relatives and teachers - without them I would never have been able to achieve this.

Yes, indeed, much depends not only on the person himself, but also on his environment. But in the modeling business there are certain strict requirements, a canon, a standard, whatever you want to call it - I mean the parameters - without them, it is difficult to succeed. There are extremely few exceptions. How do you manage, despite your small stature, as they say, to stay afloat?

- Maybe I am supported by the fact that I originally wanted to be a model, a dream. I don’t know, but even kindergarten teachers told me that I would become a fashion model. And now their words seem to have come true over time. Plus, I initially understood that with my growth the podium does not shine - that is, from the very beginning I did not have an impossible task in the modeling business. Yes, I was rejected many times at castings because of my 165 cm, but this did not undermine my faith in myself - in all honesty, I always knew that I could hardly succeed in the “language”. Although, of course, the podium and teamwork before the main penetration is also a kind of thrill - flashes, light, beat, you are dressed in something unimaginable - the sensations that you experience at this moment are unforgettable. However, be that as it may, and I would like to say this to many short girls, nothing in this life just happens, do not be discouraged if you have flaws (and who does not have them?) You need to treat everything with understanding.

Ira, but in general there are a lot of dirty rumors about the modeling business. And usually they just go after those who, for some reason, stand out from the crowd. What do you think about it?

- Oh, well, I somehow have a negative attitude to any such talk in the world of show business. In general, I am against dirt, gossip. I think that you just need to love your job, do it well, treat everything you do in general, reverently, and then everything will be ok.

But do you have idols, people from the modeling business, whom you would like to be equal to, who inspire you?

- Yes, of course, where without it. I can say that I have long been a fan of Cara Delevingne. She is cool and her courage in her actions, the courage that she is not afraid to show all her actions and ideas on camera, both surprise and inspire me at the same time. I also watch the works of Coco Rocha with interest - she is a wonderful mother, and she does her job incomparably. In general, if they asked me now what I want, I would answer: a master class from Koko and a personal meeting with Kara?

Ahah! Maybe they'll want to meet you someday too! Everything ahead! Ira, tell us about your latest work in a modeling agency. What do you remember?

- Well, you can say that I somehow pleased the grandmothers of my court. Once I showed clothes in "Fashionable Sentence" - this could not help but be remembered, of course. It was great to feel this TV magic that everyone is talking about. From the last - there was a commercial "Personal Mannequin" for one famous actress (which, by the way, I look like - perhaps you will understand who we are talking about). My task was to become a doll, to portray a real mannequin. It was an interesting experience for me also because it was my first time shooting in underwear. However, since real professionals of the Moscow modeling business worked with me, and the atmosphere was very friendly, it was very pleasant to work. In general, I just now thought that I’m doing all this not even because of the money, but because the emotions that I get from the work done are really important to me.

Ira, where do you see yourself in 5 years? Such an insidious question, I understand, but still?

- Oddly enough, but for some reason I already see myself as a mother. I absolutely adore children. Although, of course, there are already many thoughts on this subject: both to gain more knowledge and move to another country - I have always dreamed of living in Germany and Spain (maybe I will have a chance to work there). In general, you can say that I prefer not to think about what will happen next. Life brings various surprises, and it is better not to invent fairy tales for yourself in advance - let it be as it should be.

That's for sure. As they say, man proposes and God disposes. Ira, what would you like to wish to the girls who are not acting in commercials yet, are not in the agency, but only dream of being models?

- First of all, I want to say: girls, work on yourself. Achieve success, no matter what, in spite of everything! Spit on your complexes, on the same height, do not be afraid to show yourself real in front of the camera, work with full dedication. And the success of the modeling business is guaranteed to you! However, at the same time, do not forget that you need to be very careful on the modeling path, because anyway, in this area, like in any other, there is deceit and the risk of “running into” unpromising work. Therefore, consult with people who are professionals in their field. And most importantly, no matter how trite it may sound, try to find something in yourself that could become your individual highlight!

with love, LAS VEGAS MODEL MANAGEMENT. Interviewed by Alina Sudakova

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