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Gordienko Tatyana Alexandrovna, son Boris. Tatyana Gordienko: Other designers copy me and I'm happy about it! There is information that you sew clothes yourself

You are always so bright. Have you wanted to stand out since childhood?

Igor: To me exactly. Even at school I was a black sheep among my acquaintances. I lived in a small town in Kazakhstan, not far from Baikonur, and was known as a creepy fashionista there. I remember being the first in town to put on shorts. In Moscow they had been worn for a long time by that time, but in our country, at fifty degrees of heat, everyone wore black woolen trousers. So, I cut off a solid piece from my jeans and went for a walk in this form. Friends told my mother: “What a nightmare!”

Tatiana: And I never had a goal to surprise someone. True, when I was little, and the stores did not yet sell any fashionable things and everyone wore traditional dresses with three buttons under the belt, our family had its own dressmaker. I came up with outfits for myself, and she embodied my ideas.

There is information that you sew clothes yourself.

Igor: I have been sewing since childhood. Himself, friends, even something to order did. And now sometimes I draw, I come up with new models. I always wanted to do either fashion or music. But he received a musical education. I have a professionally trained voice, so I can sing on occasion.

Tatiana(smiles): He sings just for me. I have a business tied to music - Red Club, which has existed for seven years. In general, I graduated from LISI, the Faculty of Industrial and Civil Engineering, but now I went into show business. The Red Club started out as a rock club, then became a music club, and now it's mostly a dance club. Music critic Artemy Troitsky worked a lot as a promoter with us: he chose groups, advised whom it would be better to invite. At the Red Club, we have raised many musicians, Billy's Band for example, we have raised a whole generation of viewers. Among our audience there are those who met in our club, got married and now come with their families. This is my favorite business project.

They say you came up with a new institution together.

Tatiana: Yes, it will appear in the Varshavsky Express entertainment center, the presentation will take place in January. It will be called "Waiting Room". This is a thousand-dollar venue, so now we can afford more expensive musical projects. Tequilajazzz will perform at the opening of the club, then concerts of the Swedes Sugarplants Fairy, the Americans PlusMinus, the Russian groups 2H Company and BI-2 are planned. In the evening - concerts, at night - dancing. And in the next few months we will open our own promotion company. We will seriously organize performances by foreign performers.

At Obsession, you sell furs. What can you say to the ethical consumptionists who are protesting against the killing of animals for the sake of the industry?

Igor: We are normal people, and we feel sorry for the animals. I feel sorry for the fish when you take it alive in your hands and it beats in your palms. But mankind has always dressed in fur to keep warm in the long cold winters. And in Russia this is especially true. So I don't understand these supporters.

How did you meet?

Igor: Tanya was my client. I brought the first exclusive fur product to the city for her.

Tatiana: May I tell you? Not everyone in the city has high-quality fur products. When I came to Igor's salon, I was struck by the variety of models, their unusualness. He saw that I wanted something like that, and soon said that he had a new fur coat of extremely irregular shape and very defiant. Then I found out that Igor developed his design himself, especially for me.

Igor(shows an Italian catalogue): The coat was made from this top lot of fur (top lot is a batch of the best raw materials, which comes at the most expensive price. - Approx. ed.), which my partners bought at auction. It says here that a product made from it will be sold in St. Petersburg to one famous woman - Tatyana.

Tatiana: So we became friends, although both did not have time not only for communication, but also for coffee. I was interested in what Igor was doing, and he was interested in what I was doing. And then…

Igor: And then at some point she realized that she could not live without me. (Laughs.)

Tatiana: Once Igor asked me with whom I usually relax, travel. I answered that in different ways, sometimes alone. And then he said: "The next time you are going somewhere, take me with you." So I took it with me. And since then we have not parted. We have been together for three years, but we still have not been able to talk enough. With pleasure we go out of the city, we travel. We are glad that now we have the opportunity to be close, do what we love and express ourselves.

Igor: I join. I am happy to go to work in the morning and go home in the evening with pleasure. This is a recipe for happiness.

Poetry of Tatyana Gordienko (Zaporozhye - Moscow) Critical article on the example of her new poetry collection "Music of Life" (Moscow, 2014).

Reader, do not rush to put this collection aside. This is exactly what you can't help but love.
Poetry can be different: sincere... piercing... indignant... ironic... smart... And this one is also fragrant, velvety and warm: "A tangerine slice is a bright drop on the parquet", "How sweetly poems are composed, like commas smell like truffles.” You can feel it, you can admire it, warm yourself in hours of sadness, quote it, because it easily falls into memory and is remembered at the right time. Sometimes she is mischievous, sometimes she is songful, sometimes she is thoughtful, reflecting: “A gray evening. Sadness is quiet. I drink the wine of verse on Christmas Eve. But always and invariably it is turned to the soul and is consonant with you.
Do you want to find yourself in the Crimea and feel the salty surf? Tatyana's lines will easily, effortlessly take you to the shore of Koktebel, and you yourself will stir up shells and stroke the wave.

The sun has set behind Kara-Dag.
The pink color of the carved cliff.
And the moon is a pale white flag.
And sagebrush dope slope.
The beam creeps along the gray ridge.
With my heart I listen to the sound of a rapana.

Did the autumn gloom seize you or did the hardships of winter crush you? "Pastel April" will immediately captivate with spring trills and whistles, spread with a silky fabric of cherry blossoms and sticky birch leaves.

Again birch branches hung down,
all around the rains are drunk.
The soul is light and cheerful,
sweet, pink, piano.

These lines can even be tasted: they smell of cherry summer, bitter-spicy autumn foliage, purity and freshness of the first snow: “Drops fall raspberry. Puddles are crying cherry", "And the snowfall is a quiet babble, and wet fluff on the hair."
There are few modern poems that would allow you, while reading them, to remain yourself: would not rise above you, forcing you to reach for the Everests of complex constructions, or vice versa - would not plunge you into flat jokes and boring, banal love groans and sighs, maybe and sincere, but utterly the same type, stenciled, without any cute special features. Poems - for today's reader just right, just right. Perhaps that is why they are in demand, and not only in the form of poetry collections: Tatyana is often invited to television, programs are filmed about her poetry, recorded to music, in the author's reading. The victories at various poetry festivals are not accidental either. And the fact that she is a member of the writers' unions of two countries at once - the Union of Writers of Russia and the Interregional Union of Writers of Ukraine - also says a lot. Tatyana is a Muscovite, but she is well known and loved in Zaporozhye, her youth passed here and her creative path began, friends and colleagues in the pen remained here, and she herself does not forget the road to our southern region. Hence, most likely, both the sensuality and the musicality of her poems.
The lyrics of Tatyana Gordienko - both love and landscape, sometimes philosophical and civil - for all their uninhibited modernity and the tangibility of the author's good acquaintance with the heights of world culture - still remain warm, feminine and somehow very own. “I know: they, of course, will look at the trembling fingers of the rays,” Tatyana writes about green sprouts. This is how people “look” at the femininity of her lyrics. “I bought a dress and a pair of blouses and kept repeating some nonsense all day”, “wait for the shining sails of Grey”, “and the aroma of my cozy kitchen”, “and memory darns holes”, “I want a holiday”, “I missed the sky - to wrap my long-frozen knees", "and even drink a cup of joy, suddenly turning off the mind and consciousness." It is not difficult for us to substitute ourselves for the author and plunge ourselves into the world of her lyrical heroine, where devoted love lives, household chores, maturing children, eternal problems...

Rearrange the furniture, scrub the floor,
draw a saving circle with chalk,
and save the soul from various evils,
and wake up immeasurably tired body.

The image of Moscow invariably appears in her collections: its boulevards and benches, churches and pigeons on park paths, violets of umbrellas and winking eyes of lanterns, a bright masquerade of windows and the noise of speeding cars: “The beauty of the Arbat, familiar to the heart, the sunset coral sky”, “ The ringing of trams and the shouts of cars, witnesses of desperate desires, confessions and unnecessary partings”, “The canvases of the squares have been washed, and the front portals have been washed. Rainy gray urban sketch. In the soul is an enduring andante. But more - nature, in its proximity to us, empathy and nudity, more - the music of the wind and branches, sails on the horizon, the ringing of cicadas and garden assorted plum and cherry eighths.

Cherry white flowers again -
like stars in a green sky.

Even Tatyana's poems about her daughter and her beloved, about painting and music, even her thoughts about the fate of Russia, strong and touching, aching lines about loved ones who have already gone to another world - everything is filled with the sounds of the Aeolian harp of minstrel winds and the clatter of rain on the pavement, breathes honeysuckle and jasmine, looks into the soul with the moiré of twilight or circles in the fall of memories: “I will sit on the threshold smelling of woods - to wait for the multi-colored booming summer.” This poetry is pure, honest, close and tangible, and, opening the volumes of Tatyana Gordienko, you already know

how joyfully verses are composed,
how sunny, how angelically imperishable,
how tea-like, how salty, how foamy...
Let the readers be not deaf!

You can familiarize yourself with a selection from Tatiana's new collection and with a preface to it by the famous Russian poet Vladimir Aleinikov.

Tatyana Gordienko's poems are filled to the limit with various life events, states of mind, moods, reflections, memories, signs of every day lived - a diverse world. The poetess expresses, in her own way, the complex music of existence by means of speech. This is a meditative lyric, in which there is a chronicle, and documentary, and even a kind of epic. Amazement at everything that life gives every moment is combined in Gordienko's poems with her personal life experience, romantic enthusiasm with a sober awareness of reality, joy with sadness, and these different poles give a special effect of presence, ignite the fire of creativity. The voice of the poetess is not loud. But this is her own voice. And everywhere - her, non-borrowed, look at things and phenomena, at everything that happens around. The change of seasons and life periods, milestones of fate and signs of cordial affection, biographical details and natural generalizations - everything, absolutely everything forms a continuous cycle, invariably permeated with music, in which the poetess feels at home. Time and space are inextricably linked in the poems of Tatyana Gordienko, and everything experienced, seen, realized, expressed in a word is connected by strong threads of internal connections. Frankness and shyness, directness and restraint, splashed out as if rashly and deliberately unsaid, dreaminess and insight, attraction to the unknown and that secret, feminine, hidden, which is known only to the poetess herself, which is hidden in allegory, but gives the whole tone to the verses - create a strong alloy, prolong the breath of the lines, help them gain expressiveness and integrity.

“So the souls sometimes open up…”

This is how books of poetry are born.

Vladimir Aleinikov

poet, prose writer, translator, artist, organizer of the creative community SMOG, laureate of the Andrei Bely literary prize, member of the PEN Club and the Moscow Writers' Union

Poetic Andante: Tatyana Gordienko

Reader, do not rush to put this collection aside. This is exactly what you can't help but love. Poetry can be different: sincere... piercing... indignant... ironic... smart... And this one is also fragrant, velvety and warm: " Tangerine slice with a bright drop on the parquet», « How deliciously poems are composed, how commas smell like truffles". You can feel it, you can admire it, warm yourself in hours of sadness, quote it, because it easily falls into memory and is remembered at the right time. Sometimes she is mischievous, sometimes she is songful, sometimes she is thoughtful, reflecting: “ Gray evening. Sadness is quiet. I drink the wine of the verse on Christmas Eve". But always and invariably it is turned to the soul and is consonant with you.

Do you want to find yourself in the Crimea and feel the salty surf? Tatyana's lines will easily, effortlessly take you to the shore of Koktebel, and you yourself will stir up shells and stroke the wave.

The sun has set behind Kara-Dag.

The pink color of the carved cliff.

And the moon is a pale white flag.

And sagebrush dope slope.

The beam creeps along the gray ridge.

With my heart I listen to the sound of a rapana.

Did the autumn gloom seize you or did the hardships of winter crush you? The book will immediately fascinate with spring trills and whistles, spread out with a silky fabric of cherry blossoms and sticky birch leaves.

Again birch branches hung down,

all around the rains are drunk.

The soul is light and cheerful,

sweet, pink, piano.

These lines can even be tasted: they smell of cherry summer, bitter-spicy autumn foliage, purity and freshness of the first snow: “ Drops fall crimson. Puddles are crying cherry», « And snowfall quiet babble, and wet fluff on the hair».

There are few modern poems that would allow you, while reading them, to remain yourself: would not rise above you, forcing you to reach for the Everests of complex constructions, or vice versa - would not plunge you into flat jokes and boring, banal love groans and sighs, maybe and sincere, but utterly the same type, stenciled, without any cute special features. Tatyana Gordienko's poems are just right for today's reader, just right. Perhaps that is why they are in demand, and not only in the form of poetry collections: Tatyana is often invited to television, programs are filmed about her poetry, recorded to music, in the author's reading. The victories at various poetry festivals are not accidental either. And the fact that she is a member of the writers' unions of two countries at once - the Union of Writers of Russia and the Interregional Union of Writers of Ukraine - also says a lot. Tatyana is a Muscovite, but she is well known and loved in Zaporozhye, her youth passed here and her creative path began, friends and colleagues in the pen remained here, and she herself does not forget the road to our southern region. Hence, most likely, both the sensuality and the musicality of her poems.

If we talk about skill, then it is enough to note that Tatyana's poems are perfected, expressive, professional in the best sense of the word. Her poetry is metaphorical, sometimes aphoristic, with a variety of meters and rhythms and an abundance of artistic devices, even the most modern ones. Russian melody is clearly traced when equipping the fabric of the works with beautiful alliterations and reminiscences from the history of literature and painting, mythology, individual foreign words or - in the titles themselves - whole winged expressions.

The lyrics of Tatyana Gordienko - both love and landscape, sometimes philosophical and civil - for all their uninhibited modernity and the tangibility of the author's good acquaintance with the heights of world culture - still remain warm, feminine and somehow very own. " I know: they, of course, will look at the rays of trembling fingers”, - writes Tatyana about green sprouts. This is how people “look” at the femininity of her lyrics. " I bought a dress and a pair of blouses and talked nonsense all day», « wait for the sails shining gray», « and the aroma of my cozy kitchen», « and memory darns holes», « I want a holiday», « I missed the sky - to wrap my long-frozen knees», « and even drink a cup of joy, suddenly turning off the mind and consciousness". It is not difficult for us to substitute ourselves for the author and plunge ourselves into the world of her lyrical heroine, where devoted love lives, household chores, maturing children, eternal problems ...

Marina: Hello! On the air is the program "In the Frame", presenters Marina, Oksana. Today our guest is undoubtedly a successful personality Tatyana Gordienko. Hello Tatiana.

Oksana: Hello!

Tatyana Gordienko: Hello!

M.: We would like to congratulate you on the past "Defile on the Neva", with the show. Undoubtedly, a lot of work has been done, it is always pleasant to complete everything that has begun to be completed. We congratulate you.

T.G.: Thank you.

M.: You have a lot of flowers today.

ABOUT.: Yes, today we are in space, on the farm of Tatyana Gordienko's fashion house. After the show, everything here is buried in flowers. Apparently there were a lot of people who wanted to come, congratulate and celebrate such an event in the life of every designer.

M.: Steve Jobs, he died recently, but nevertheless his phrases are winged, they live. And he said that "there is no such thing as a successful person who never stumbled, never made a mistake. There are only successful people who made mistakes, but then changed their plans and based on those very mistakes." Have you had any such mistakes that changed your plans dramatically, but led to the desired result.

T.G.: In business, it's impossible, but you can't make mistakes. Of course, they are allowed, I understand that people are different, but thank God, this probably passed me, because I run my business in a purely feminine way. I do not build any huge plans for the future, I live for today. And I get such planning, mini-plans for the future. I am, as they say, foreigners step by step. I have no right to just make mistakes. I don't have the right to relax, I don't have the right to say that something is wrong with me. As soon as you begin to understand that someone can help you, someone can give you something, then you get an error or a fall. Because people can let you down.

M.: You do not count on third-party help, only on yourself?

T.G.: I never counted on anyone, I hoped only for myself, because you can even let yourself down.

ABOUT.: Your fashion house is still such a dream come true, is it your hobby or is it still part of your business, which has its own structure, has its own planning.

T.G.: You know, probably, great happiness when business and hobby coincide. Here, a fashion house is probably such a combination of circumstances when business, dreams and hobbies have developed, and everything coincided, all together. I come here, I live here as I live.

M.: Who came up with the logo, does it carry any sacred meaning besides the abbreviation? Do you have something like that in it? Any history?

T.G.: This is precisely connected with my name, because I have been earning a name in this life for twenty years. My business is twenty years old next year. And so I gave the business my name without hesitation. The abbreviation is Tatiana Gordienko TG in English spelling, because we are still counting, although I say that I have immediate plans, plans for the future are still to reach the world level. Of course, I designed the logo myself, I wanted it to be very readable, very memorable, and of course, to be pleasing to the eye. But since I have such a mathematical mindset, everyone noted that this is not a female logo, but nevertheless, in order for it to be and remain absolutely female, I have a backing there in pink, cyclomen color, when they ask me “What color do you like?” I answer, as all blondes - pink.

ABOUT.: You also once said that you need to wear those things that reflect your inner world. Tell me, please, your appearance, what does it say about you?

T.G.: Probably my appearance is a kind of working glamor or semi-glamour, I don't know. I try to dress in such a way that I can dress and like myself in the morning. Looking in the mirror, I liked myself and that's it. And then I act like it's some kind of home dressing gown or home clothes. I'm comfortable, I'm comfortable and I don't pay attention to it anymore.

ABOUT.:Are you the only one, let's say, I, who gives himself an assessment, or are there still people whose opinion is especially important to you?

T.G.: Every person's opinion matters to me. The status of a person is not important to me, but, as I said, some kind of constructive criticism is important to me. If someone says that I don’t like something specifically, I will think about it and probably somehow I will correct it. In any case, in my head it will be postponed for sure. And these wishes, someone's even, some other people's thoughts, I still consider. I myself am the main critic. And I like myself only when my makeup is finished, and when I smiled, I liked myself.

M.: The collection "Empress", it made such a splash, a lot of reviews in the press are only positive, with such only big words. And indeed, it was very beautiful.

What future do you predict for the "Chocolate" collection, by the way, Oksana and I are now, they provided us with wonderful dresses, I sit and just can't get enough of it.

T.G.: Today we are all in chocolate.

M.: Today we are chocolate.

T.G.: Gorgeous presenters in dresses from the "Chocolate" collection. I also have jewelry on my neck from the Chocolate collection. Probably the happiest fate of any collection is its sale. For me, it is important not only how the audience evaluates the collection, but how the buyers evaluate it. Like it on the podium and like it in life are two different things. I'm trying to do more things now, not commercial things, no way, I'm trying to do things for a living now. In general, I make all the clothes for Tatyana Gordienko. I am the main critic.

ABOUT.: You attract stars, these are well-known people who, let's say, have nothing to do with models.

M.: Wouldn't there be an idea to completely abandon the models, and attract only ordinary people? Do ordinary people make the show more alive?

T.G.: Of course, only the stars make the show more alive, ordinary people will never make the show live for you. Because a person who never goes to the podium, it will be difficult for him to pass and it will not look as impressive as professional models do. There are some designers who attract only stars, then it doesn't turn out to be a show, it turns out to be a show. And I think when there is nothing to show, then they make a show. Here I have it, it's like some kind of dessert at the end, a star or several stars come out. Because people like to look at a media person.

ABOUT.:What kind of audience do you like? Petersburg or Moscow?

T.G.:I wouldn't trade the St. Petersburg public for the Moscow one, but a little criticism of the St. Petersburg public: Thank God, the St. Petersburg public is normal.

But for the most part, unfortunately, Peter does not treat the merits of other people positively. When I received the woman of the year in St. Petersburg, I came to Moscow. Everyone knew about it! But in St. Petersburg no one spoke about it!Neither the people nor the press. It's all passed somehow shtetl, unnoticed. There may be St. Petersburg restraint in this, but why restrain emotions?

M:I would like to talk about the muse. Is it important to carry something deep in clothes? Any idea? Digging through the archives, looking for some lines? Or is fashion still part of the business, where the ultimate goal is to sell?

T.G.:Of course, fashion is part of the business, the purpose of which is to sell. An idea is born independently of you. "Chocolate" - a new collection. I saw one fabric and immediately fell in love. What I saw was not brown cloth, but chocolate.

Very often collections are born as corrections of some mistakes. This is my next collection. I knit and I decided to make one hat, it didn’t work out for me. and it turned out such a male daddy. This mistake gave me an idea, the idea of the next collection.

ABOUT:What is closer to you - Aurora Fashion Week or Defile on the Neva?

T.G.:Defile on the Neva is closer to me. This is already history. The twenty-fourth season has already passed. The next, twenty-fifth, anniversary season. The defile on the Neva is growing and the LenExpo site is also the next step, because we did not have such sites before.

And now the Defile on the Neva is passing like a big week in a normal, big city. If you are going to Milan, to Paris, then you will see the main shows at those venues. Aurora Fashion Week? I think they're off to a good start, but what's next? Let's see. Everything depends on them, everything is in their hands.

M.:Your colleague Yanis Chamalidi had fifteen years of creative activity. He had such a collection, not even a collection, but a symbiosis.

T.G.:A great person, very closed, in himself. Like any creator. I am the exception here. Janis clearly traces his line, his gaze is clearly traced. I like it very much that he doesn't borrow anything from anyone anywhere, because there are many designers who try to copy, even my products. I'm happy about it.

Now Europeans are paying attention to Russian designers. A lot of big houses invite Russian designers because it's cheaperand we have more imagination. What you can't take away from us, you can't take away from us! A school under the Soviet Union, got out as best they could and everything looked very decent.

We have our own competition for young designers, I founded it - Fashion Provocation. We hold it at the world level, and our winner participates in the fashion show on the Neva.

Business success lies in activity. In the activity of the person himself. Everything seems to be attracted to an active person. But no! He goes to it

M.: It's just that the majority of the population believes that he should be given, and not he should earn.

T.G.: Well, thank God they think so. Maybe someone, and give, but not everyone is lucky.

A: Most people perceive the concept of image rather one-sidedly, there is such a certain dominance of programs with one theme. What place does this image component occupy in your life?

T.G.: It is very difficult to build an image, because it is easier to build a style. Twenty years ago, when I started a business, the image component was decisive for me, because, unfortunately, there were not as many women in business then as there are now, there was no such dominance, matriarchy. There were men who, of course, did not let women into business. And in order for men to somehow perceive you, I developed such a style a la male style. Before that I had a short haircut, it became even shorter. I wore club jackets, trousers, then this image was formed in me unshakably for probably seven or eight years, so that men would take me seriously. First, I was much younger and often not taken seriously. The image component at that time was very important. Somewhere, maybe I had, I would say, fifty percent of success. And still I understand that they are met by clothes. I believe that there should be no trifles, everything should be thought out.

M.: It is very interesting what plans there are still this year in order to surprise the public.

T.G.: Well, I don’t want to surprise anyone, but the plans are… we are opening a boutique in the very near future, there is a proposal to work specifically on Tatiana Gordienko’s brand in Azerbaijan. New Year's, of course, the collection, well, before the end of the year, I told you all the plans. When you work, there are a huge number of offers even throughout the day, you just need to be able to filter them and choose the same from them. We work both in Russia and with Petropavlovsk-Kamchatsky.

M.: I'm from there, by the way.

T.G.: And with Yekaterinburg, and with Vladivostok. We have a wide geography.

M.: Thank you very much Tatyana for the meeting. It is very interesting to talk with you, I would talk with you for hours more and more like a woman.

ABOUT.: We started with success, and of course we wish you success in your future endeavors.

T.G.: Thank you very much. It was very nice that you came. You have a great filming company.

M.: With umbrellas.

T.G.:Thank you guys with umbrellas!

Tatiana Gordienko

Tatiana Gordienko

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Children:	Gordienko Boris Borisovich
Awards and prizes:	Business Woman 2011
Website:

Tatyana Alexandrovna Gordienko(English) Tatiana Gordienko, genus. April 17 ( 19700417 ) , Ostashkov) - designer, founder of the TG brand and Tatiana Gordienko Fashion House.

Biography

in 1982, Tatiana entered the Leningrad Civil Engineering Institute (now SPbGASU), Leningrad (St. Petersburg). In those years, as you know, in the USSR there was a shortage of both food and clothes, and every young girl wanted to look her best, and then Tatyana remembered knitting: she started knitting clothes for herself - but there were not so many threads in stores , so Tatyana easily tied things from one to another. Looking at stylish things and unique taste, other girls also wanted to have a product from Tatyana Gordienko in their wardrobe. So, she received a patent for the manufacture of knitwear and the first regular customers.

In 1985, Tatyana married Boris Gordienko, her classmate and first love, and in 1986 Boris Gordienko Jr. was born.

After graduating from the university, Tatyana went into business, she had to forget about creativity, because the main thing is to have prosperity: first a construction and finishing company, then a management company, then rolled metal.

In 1998, the Beauty Salon of Tatiana Gordienko was opened on Sevastyanova Street, in which the first showroom (2009) of the designer was opened and was renamed the Beauty and Fashion Design Studio of Tatiana Gordienko, where they provide, and to this day, the whole range of services - from hairdresser to image stylist.

In 2001, Tatyana opened the first official dance club in St. Petersburg - Red Club. This was the first experience in the field of show business, so even then a successful businesswoman worked in the club both as a bartender and as an administrator and answered all incoming calls in order to understand the work structure from and to. The club often changed its direction, so it was one of the first rock venues to which famous people performed: Mark Ribot, Les Hurlements d "Léo (France), Raison d" être (Sweden), EX.ORDER (Germany), Tarwater ( Germany) (group) , Nogu Svelo , Pep-See , Aquarium (group) , Yu-Peter , Pilot (group) , Calibri, Pilotage, Animal Jazz , Auction , Mara , Masha and the Bears , Mill (group) , Kukryniksy , Nastya Poleva , Night Snipers , Cartoons , Psyche , S.P.O.R.T. , Tequilajazzz and many others. In the Red Clube, you could easily meet a variety of people: Shnurov, Sergei Vladimirovich, Troitsky, Artemy Kivovich, art directors of cult Moscow clubs, representatives of progressive journalism, creative bohemians, white collars and university students coming off at a concert or disco. Then it was decided to split the club into 2 sites that exist independently, so the first R'N'B cafe Cadillac in Russia appeared, in which, as well as on the rock site, many stars of rap and hip-hop culture performed. She was also among the families of the invited families for dinner in Milan Dolce, Domenico and Stefano Gabbana.